Monday, April 1, 2019
Study Of Sound In Citizen Kane Film Studies Essay
Study Of honest In Citizen Kane Film Studies EssayShooting a film is cardinal of the scientific ways of storytelling in terms of oral story, it is essential to have comprehensible conversations and powerful sound effects to attract the witnessers attention. If we take the gentlemans gentleman body as a basis, then, literally speaking, to show means to hold visible to the eye and to tell means to convey by vocalise communication (Jackson, 2009). Orson wells Citizen Kane (1941) is probably the intimately famous masterpiece in film human beings with its amazing photography, acting, editing, writing, and sound. After watching the film, one can be impress by any of these features, however, to me, the sound was the most effective feature because I can still heed the voice of Susan Alexander calling Kane Charlie, Charlie. Therefore, in this paper, I will attempt to analyze, explain, and criticize the sound and its effects in Citizen Kane film more everyplace, how sound designe d to create an illusion, to add power, and to convey the viewer about actors perceptional situation in the views.The Citizen Kane film is a biopic of William Randolph Hearst display how a millionaire journalist, who was the role model and champion of the underprivileged, becomes also dishonored to impulse for power, and wealth. In film, it is limiteded that even though his second wife and his dress hat friend describe Kanes character in materialistic terms, Kane only wants get it on and emotional loyalty, his innocent boyhood as symbolized by Rosebud. However, one can run across throughout the movie that no one is able to give his puerility back even himself. Orson Welles is from one of the directors of the gap separating 1920s and 1930s. It is the innovation period from silent to the enriched sound film (Gray, 2005). Welles, his cinematographer Gregg Toland, and his composer Bernard Herrmann developed and utilize so many techniques to show the dramatic actions expanding o n multiple planes of day-dream and sound.According to Orson Welles, the viewer did non be the use of soundtrack. He thinks that they can non follow because it is a particular trick to capture them as they watch an orchestra per physiqueing magnificent melody without showing them musical tricks (Bogdanovich, 1998). Welles and Herrmann created a multifactorial soundtrack which is combination of various dialogues, sometimes spoken simultaneously, or only a music into a comprehensible conversation. Sound is just as sophisticated as the charming photography in Citizen Kane. Welles started his cargoner in radio in that locationfore, in that respect cannot be anyone else but only him to describe the vastness of the sound in his film. In general, soundtracks significantly precede the visual chassis to prepare the viewers for what they are about to see (Nelmes, 2003). There are many signs that one can easily notice from just perceive the sound in this film. Even though the sound c an be sometimes nonsensical and confounding to the viewer, it is to convey the go throughing of sound vicissitudes that inextricably bind one sequence to another. In film, the viewer can respect that the sound was used to create an illusion of people who are not actually on screen. For model, the public meeting scene is one of these scenes which is created an illusion. Kane gives a speech as candidate for presidency in a extensive and crowded convention amount of money. In reality, there is no huge center or crowded people but the viewers can let out the sounds of clapping just as aft(prenominal) the meeting, when Kane goes out, they can also hear the sound of marching band without seeing any of them. Rather than compensable extra for expensive special effects of crowded people, or road band, Welles filled the scene paying less with sound effects to create these illusions.Even though most of the dialogue was recorded live, Welles familiarized himself with post-synchronizat ion techniques, which allowed him to create a soundscape by adding elements in post-production (Berthome Thomas, 2008). He sometimes used a single sound to add color to a scene, or he would graft a number of different sounds on to the dialogue or music simply to punctuate a parenthood or fill the pause among two sentences. Throughout the stainless film, all the sounds are in perfect harmony. Another original impost of sound was to add power and perspicaciousness to a scene. This power and depth is most obvious in the scenes of Xanadu palace. When there is a dialogue between Kane and his wife Susan, as if exploded, their voices fill the palace. While the viewer feels the echo of characters voices, actually, there is no echo. However, if the viewer thinks the size of the space in these scenes which are gigantic, there should be echo, but Welles expand the sound to give visionary and powerful quality. For instance, when the journalist Thompson speaks to the servant after Kanes d eath, the viewer can feel the voices as if the characters speak in the grave.Moreover, sound is also used to express the emotional situations of a character in the actions. For example, after Susan Alexander leaves Kane, he destroys her room, and the viewer can see a parrot flapping its wing and screeching as if the voice of screaming Kane with wounded heart. Also, the other example is in during the Kane picnic. When two character are arguing in the tent, Kane curtly slaps Susan. At the homogeneous time, the viewer can hear the screaming voice of a women from background as if substitute of Susans inner voice. It is sometimes same(p)ly to hear a whispering soundtrack to explain or to express the emotion or the inner voices of characters. Like, when Susan attempts suicide because of suffering as humiliated opera house singer, the viewer can hear a pale soundtrack that indicates the humiliated feelings of Susan Alexander.The music usage and the original sounds make Citizen Kane m ore realistic. Orson Welles uses a mess hall of juxtaposed dialogues throughout the film that make it hard to follow and to figure the scenes at the same time. For instance, when everyone in a comical scene duologue at once, one can feel the reality of the scene with these close-up sounds. When a scene change from one location or period to other, one can feel a sudden shocking sound transition that makes him or her to follow the scenes easily. For example, in a low angle shot, when Kane is in Susan house at first time, Susan plays piano and sings. Suddenly the mise en scene change and the viewer see Susan sings the same song in the same place but with different clothes. Because the film is black-white, first it is hard to uphold these sound montages however, the characters, the sounds, and the changed mise en scene make it easier to follow up the scenes. Sound montage in Citizen Kane emphasizes the abnormal and stressful lives of the characters with realistic soundtracks.In seve ral(prenominal) major scenes, one can hear the musical tunes that enrich both the object or the character and the whole scene. For example, when Rosebud which is the symbol of Charles Fosters missing childishness is screened in the opening scene, different pillow slips of musical tunes are played to underscore the different emotions of characters while they talk. The Rosebud object takes place its most melodic form with Kane last dramatic word just before his death. While narrating the shots of the sledge, Kane emphasizes its grandness with an emotional soundtrack. Also, the sledges hidden label by snow and the various appearances of snowballs or glass balls linked to the memories of Kanes mother. During these scenes, the viewer can hear the same soundtrack that is like a symbol of Kanes hidden side (Berthome Thomas, 2008).Orson Welles was specifically interested in musical scenes, because he was concern about defining the sequences differently like it has never done before. T herefore, Welles, and Hermann arranged every detailed steering to show the music arising from the scenes. For example, during the opera scene, the curtain rises and Susan Alexander sings a soprano, the Salammbos Aria, and she continues over the entire action. However, the trick part is at the end that she ends her singing after the curtain falls. Whatever music or sound Welles chose for Citizen Kane, he wanted them to be as visible as original, rare, and identifiable.In conclusion, because the most of the dialogues recorded live, one can notice how the composer Herrmann did a magnificent last in Citizen Kane. After editing and shortening the scenes, they require revision of music or voices to be harmonized with the actions. Because almost every cues were edited, and some scenes were calamity to their basic form, Herrmann had to ensure that the music is compatible with the actions and make sense to the viewer. However, I think, the form of telling the story as in the Citizen Kane film is not the desired one which is showing the death of a person at the beginning and setting up the story depend on this. This type of story telling should take place in novels but not in a screened story. Nevertheless, Citizen Kane film proves that in dramatic or somber films, one can observe the magnificent mise en scene assisting with Adonic sound effects or soundtracks.
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